The sample seen here is equipped with the 65mm f4. Separate ultra-wide optical finder supplied with 43mm or 50mm lens Power One 6V PX28 alkaline silver oxide or lithium (4SR44, 4LR44 or 2CR1/3 lithium) battery Dimensions/Weight 159 x 112 x 123mm (6.2 x 4.4 x 4.8 in.)Ī major benefit of the Mamiya 7 system is of course the lens interchangeability.
#MAMIYA 7 II FOR SALE MANUAL#
SPD sensor in finder range: EV3 (f/ 2 sec.) ~ EV18 1/500 sec.) with 80mm f/4 lens at ISO 100Įxposure Corrections: +/- 2EV in 1/3 step via Compensation Dial Aperture Priority AE or manual metering modes Viewfinder Rangefinder coupledĪutomatic bright line selection (65mm, 80mm, 150mm)Readout shutter speed LED indicator Self-cancelling self timer Metering Built-in metering – 1/500 sec., B X synchronization at all speeds
#MAMIYA 7 II FOR SALE FULL#
Mamiya 7 Tech Specs Mamiya 7 Camera type 6 x 7 format rangefinder with interchangeable lenses Format 6 x 7cm (56 x 69.5mm with 120/220 roll film) Multi-formats Optional interchangeable panoramic insert mask (24 x 65mm with 35mm roll film) Shutter Electromagnetic full flash synch lens shutterĤ sec. Analog Forever magazine has a great article about 20 Mamiya 7 photographers you need to know here. It is especially popular among Japanese mountain and landscape photographers and boasts such users as Naoki Ishikawa, Hiromi Tsuchida, and Tomoko Yoneda. The only functional differences between the Mamiya 7 and 7II is the latter can do multiple exposures, has an extra neck strap lug and supposedly has an improved rangefinder.Įither are revered for boasting ideal performance features, such as interchangeable lenses, automatic exposure, easy-to-see rangefinder, and super silent operation. It was preceded by the 6×6 Mamiya 6 of 1995 and replaced by the Mamiya 7II in 1999. Information is scant on the production details of the Mamiya 7 even though it is relatively new camera with production running from 1995 to its discontinuation in 2014. You can’t be bored from this history lesson as there isn’t much to be bored from.
#MAMIYA 7 II FOR SALE PORTABLE#
With this relatively portable 6×7 cult classic, are the hills really alive with the sound of music? The only way to find out is put in a roll of #not120mm and find out. Owners seem to lose their collective fecal matter over the Mamiya 7 and sing its praises like Maria von Trapp on a mountain top. It is placed on the pedestal of GOAT on many an internet camera reviewing blog or video you will come across in cyberspace. It uses all Mamiya 7 lenses including the latest 50mm f/4.5 superwide lens with optical finder and 210mm f/8 with optical finder.There is no shortage of hullabaloo about the legendary Mamiya 7. "The Mamiya 7 II offers double exposure capability and choice of black or champagne finish with a restyling over the original Mamiya 7 model. Mamiya can retrofit this to the original Mamiya 7 if you want. The II version adds an extra neck strap lug. The II version adds multiple exposure capability and replaces the simple lens-changing curtain control on the original Mamiya 7 with a more complex fold-out lever. The 'improvements' in the rangefinder in the II version are a change in color, apparently not reliability, stability or accuracy. The rangefinder flaws affect all versions from what I've seen. There are negligible differences between them. They are all mostly plastic and just painted the various colors. 1.) The original one in titanium finish (shown above) that I use.Ģ.) The current -II version painted to look a nasty chrome ('Champagne')
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